Tony Howell & Co. February 27, 2018 The Rake’s Progress "Charismatic mezzo... top-notch comic sparks... surprisingly big-hearted" Tony Howell & Co. February 27, 2018 The Rake’s Progress —Joshua Rosenblum, Opera News
Tony Howell & Co. February 26, 2018 The Rake’s Progress "An absolute scream" Tony Howell & Co. February 26, 2018 The Rake’s Progress —Mark David Ketterson, Opera News
Tony Howell & Co. February 22, 2018 Romeo et Juliette "...agreeable Nurse Gertrude... her contralto voice lovely to hear" Tony Howell & Co. February 22, 2018 Romeo et Juliette —Stephanie Adrian, Opera News
Tony Howell & Co. February 20, 2018 The Marriage of Figaro "...Excellent comic support..." Tony Howell & Co. February 20, 2018 The Marriage of Figaro —George Dansker, Opera News
Tony Howell & Co. February 19, 2018 The Marriage of Figaro " ...amusingly overripe ...the most engaging people in the opera" Tony Howell & Co. February 19, 2018 The Marriage of Figaro —Mark David Ketterson, Opera News
Tony Howell & Co. February 18, 2018 Vanessa "In excellent form" Tony Howell & Co. February 18, 2018 Vanessa “Thomas Potter and Cindy Sadler were in excellent form in the character roles of the kindly family physician and the Old Baroness, Vanessa’s disapproving mother.” — John Fleming
Tony Howell & Co. February 17, 2018 Susannah "Superbly bitchy" Tony Howell & Co. February 17, 2018 Susannah “...members of the James M. Collier apprentice program fielded an effective cadre of Elders and Biddies, led by Sadler’s superbly bitchy Mrs. McLean...” — Mark David Ketterson
Tony Howell & Co. February 17, 2018 Das Rheingold "Strongly intoned" Tony Howell & Co. February 17, 2018 Das Rheingold “Cindy Sadler’s Erda was strongly intoned.” — Charles H. Parsons
Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen "Knocked 'em dead" Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen “Cindy Sadler knocked ‘em dead with Erda’s last-minute, nearly deus-ex-machina appearance.” — Kenneth LaFave