Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen "Nearly perfect" Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen “The Erda of Cindy Sadler was nearly perfect.” — Opernwelt
Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen "Knocked 'em dead" Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen “Cindy Sadler knocked ‘em dead with Erda’s last-minute, nearly deus-ex-machina appearance.” — Kenneth LaFave
Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen "Opulent mezzo" Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen “Cindy Sadler displayed an opulent mezzo as the somnolent Erda.” — Dorothy Stowe
Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen "Magnificent mezzo... unbelievably rich" Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen “For two ‘Ring’ seasons in Flagstaff, Sadler has been a vocal and dramatic mainstay of Arizona Opera. The mezzo appears in all four of the Ring dramas … she brings to each a magnificent mezzo voice that is big, well-controlled, and always, always, unbelievably rich throughout its range. Her Erda … was an all-around masterpiece of operatic declamation.” — Paul Sweitzer
Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen "Rich-voiced... true frisson" Tony Howell & Co. February 16, 2018 Der Ring des Nibelungen “The great scene with Erda in Act III of Siegfried … is always thrilling theater, and with (Edward) Crafts … and contralto Cindy Sadler, a rich-voiced, pungent Earth Goddess, true frisson was achieved.” — JA Van Sant