Tony Howell & Co. February 25, 2018 La Fille du Régiment "Smartly portrayed and sung" Tony Howell & Co. February 25, 2018 La Fille du Régiment —Michael Anthony, Minneapolis Star Tribune
Tony Howell & Co. February 24, 2018 La Fille du Régiment "A fragile damsel... and an imperious aristocrat... lends a strong mezzo-soprano to her part" Tony Howell & Co. February 24, 2018 La Fille du Régiment —Arthur Dorman, Talkin' Broadway
Tony Howell & Co. February 23, 2018 La Fille du Régiment "Experienced and resourceful... sparkled..." Tony Howell & Co. February 23, 2018 La Fille du Régiment —Paul Robinson, La Scene Musical
Tony Howell & Co. February 18, 2018 La Fille du Régiment "Loads of fun... well-rounded, memorable" Tony Howell & Co. February 18, 2018 La Fille du Régiment “The trio that follows is loads of fun, as the increasingly fraught Marquise attempts to teach the girl to sing properly, despite Sulpice’s not-so-subtle melodic interjections of the 21st Regiment’s fight song, “Rataplan.” Mezzo-soprano Cindy Sadler and bass-baritone Stefano de Peppo know their way around occasionally oversize characters, creating well-rounded, memorable ones whether singing or speaking. Sadler’s vapors-prone Marquise evolves into a redoubtable matriarch, and de Peppo’s Sulpice shifts with ease between a leader of men and the tender father to the orphan Marie.” — Robi Polgar
Tony Howell & Co. February 18, 2018 La Fille du Régiment "Impressive range and warm quality" Tony Howell & Co. February 18, 2018 La Fille du Régiment “Cindy Sadler, mezzo, showed an impressive range and warm quality as Marie’s aunt.” — Dana Oland